“Spaeth was impressive, with some of the best ornamentation of the evening.” (Operawire)

Lauded for her impressive extension and “wonderfully sweet tone” (Operawire), soprano Caroline Spaeth (she/her/hers) possesses an ease with exciting vocal pyrotechnics. This season, she appeared with Marshall Opera in their inaugural Oral History Project concert. Earlier in 2023, she sang Elisabetta in Donizetti’s Roberto Devereux (on one week’s notice) and Isabelle in Meyerbeer’s Robert le diable at St. John in the Village Church in NYC. An advocate of contemporary classical works, she began 2022 performing Ligeti’s Mysteries of the Macabre in concert at Providence College and AS220. She later appeared as Jenny in Ned Rorem’s Three Sisters Who Are Not Sisters at the Contemporary Theatre Company in Wakefield, RI. Other appearances include soprano soloist in Haydn’s Lord Nelson Mass and Brahms’ Requiem with Masterworks Chorale, The Messiah with the Assabet Valley Mastersingers and soprano soloist in Carmina Burana with the Paul Madore Chorale.

Caroline is an alumna of Seattle’s German Vocal Arts Institute, where she performed the notorious Queen of the Night in Mozart's  Die Zauberflöte. Other appearances include soprano soloist in The Messiah with Masterworks Chorale, soprano soloist in Carmina Burana, and Lilli Vanessi/Katherine in the MIT Gilbert and Sullivan Society's production of Kiss Me, Kate. Honors and awards include a BroadwayWorld Best Actress in a Musical nomination (2018) and Regional Winner in the National Classical Singer Competition (2019).