“This late in the concert, no one could fault Spaeth if she flagged, but she didn’t. There’s a descending, slow run from a B flat over C to a D, delicately handled with fermatas and rests held, establishing a dramatic sense of expectation. Spaeth closed with a potent B over C that was as fresh as any point during the concert.”

-Operawire on Elisabetta in Roberto Devereux at St. John’s in the Village